The Euro DDL is a digital delay with an analog core for the eurorack format.
Designed for performance, the Euro DDL has external control of every feature and function. It was also designed to sound less digital than the average delay. The design of the former Eventide school strictly limits the amount of digital circuits required for the DDL. Soft saturation clipping, low-pass filter, feedback, insertion loop and +20 dB amplification are all analog. Once you hear it, you’ll know why it’s the ultimate Eurorack delay. It is a very musical module. To be a true performance instrument, all module controls must be remote controllable. The Euro DDDL allows voltage control of all parameters. It is designed to be played as an instrument. Also the DDL does a very good job while being used in Return/Send and Clock.
- A 16hp Eurorack delay with minimal digital circuitry. It’s constrained to do nothing more than simple, yet flexible, delay.
- The DDL is pristine. It’s long. It’s short (0.11msec resolution). It’s smooth, it loops and it goes backwards.
- The delay converter is 24 bits with max delay up to 10 seconds at 192 kHz sample rate and 160 seconds at 16 kHz rate.
- Delay time can be varied smoothly and over a wide range; either manually, via tap tempo or by remote control voltage.
- Short delays can be used for comb filter and flanging effects. Longer delays for echo effects.
- Infinite delays for looping. Backwards delays for reverse effects.